Thursday, October 20, 2016

A Million Knives Lie In Wait



From Last.fm:
A hardcore band from Portland, Oregon. Summer 1998-Summer 1999.
They recorded demo with Jeremy Romagna (later of Type Foundry Studio) and self-released a CD/cassette they sold on their sole west coast tour.
They shared bills with:
Submission Hold, Reversal of Man, Bread and Circuits, Yaphet Kotto, combatwoundedveteran. Their last show was at the Living Room in Santa Barbara, CA.
Related bands: Pascal's Wager, JonnyX and the Groadies, Berzerk, Mur*der.

Really good 90's emo style stuff. I have here just the demo mentioned above, I've never seen the self released CD before, so no idea on that. Overall it's fairly high quality, but super short. Sometimes the vocals kind of remind me of Toru Okada, especially in the second song. Recommend a download for sure.

Edit: Thanks to below commenter for the following. It has all the songs.

Demo

Sunday, October 16, 2016

Ghosts



This is the band that came right after An Embrace of Angels. I think it shares all or most of the members. They're listed as being from Owatonna, MN, and were active mid late 00's. They sound pretty similar to Embrace of Angels, just a little less over done and cringy. I think they're better for sure. What I have here is some early demo I think they released, then some EP found on their myspace.

Edit: Ghosts was Matt (bass) and John (vocals/keys) from an embrace of angels, with a different guitarist and drummer (Wyatt and Jonathan).

Untitled (Some early demo I think, it's incorrectly labeled. sorry about that)

The Eazy EP

Friday, September 16, 2016

Jaded / The Watercolour



Major props to this blog for the description:
The Watercolour were an emo/punk outfit from Indianapolis who played a few shows from 1993-1996. There were actually two periods of this group, the first was done under the name "Jaded", and the songs tended to be much angrier and rough. The later period, under "the Watercolour" softened in its approach substantially. Both incantations of the group were in the emo/hardcore genre and I think the listener can immediately hear the influences.

A 7" of 2 songs by Jaded was released by the now defunct Witching Hour Records/Diffusion Records around 1996/97. The Watercolour was featured on a 7" compilation which benefited Judy Barry (http://shallbejudged.blogspot.com/2007_04_01_archive.html) and that was released circa 1995. I hope to extract these vinyl releases and upload as mp3s at a later date. At the end of the band's short run, they went to Airborne Studios (in Zionsville of all places) to record. 8 songs were done at the session (in the wee hours of the morning to save money) 2 of which were the "jaded" 7" listed above, the other 6 were lost for about 10 years. I'm posting them here as mp3s for those who may have known the band or were familiar with that particular scene. I appreciate if anyone remembers them or any of this to correct my post.

The members of the band were:
Chris Saligoe - bass, he went on to form and continues to play bass in RACEBANNON
Austin Considine - guitar, now plays in NYC band RAZOR SHINES
Mike Anderson - guitar, formed and continues to be the vocalist in RACEBANNON & RAPIDER THAN HORSEPOWER
Rob Smith - drums, played drums for awhile in RAPIDER THAN HORSEPOWER, now guitar in RAZOR SHINES (NYC)
Ryan Schneider - vocals (Jaded + Watercolour), artist in NYC
Chris Mullin - vocals (Jaded) I think Chris resides in Bloomington, IN
I can't actually find any mp3's on that blog, or the one it links. So here's what I have. I'm missing the compilation song, but here's the rest. The Jaded 7" is really good.

Jaded 7"

watercolour - stories about old rich white people (unreleased LP)

American Tragedy... Benefit Compilation For Judi Bari's Case. 1996 Diffusion (Whole compilation. Worth it for the three studies song)

Rise of Marakara


I'm just going to copy some description I found on their archived website
In 2002, a band with no name and few songs, played merely for fun and for the love of the music. After losing a singer, and replacing him with Mark Clark on vocals/guitar in the spring of 2003, the band buckled down, and gave themselves a name both literally and figuratively. Their sound changed and improved to accommodate Mark’s vocals, which were a bit more screamy. They infused their original post-hardcore sound with patches of noise as well as flashy solos, and brought out the talent of all the members: Bridget King on drums, Pat Marchwiak on guitar, and Matt Zachar on bass. 

However, late summer of 2003 saw the band paying a farewell show for Matt, who they were losing to college at MIT. The remaining members continue to play music on the foundation they’ve laid, mixing emo and hardcore in a genre that’s not fully formed, appreciated or represented in Chicago. The three piece describes themselves as chunks of Saetia, Fugazi, and City of Caterpillar injected into angular guitar noise with a post hardcore foundation, and have gotten comparisons to Wolves, At The Drive In, Sonic Youth and mewithoutyou. 

The band is making waves in all the right places for their talent, perseverance and unique sound. From opening for Level Plane Records band The Fiction, to recording their mp3’s in the production studio of WLUW, Chicago’s most popular independent community radio. They are always working on new material and will soon enter the studio and record a proper release ASAP. This summer may find them touring, and the spring will find them playing many more shows in the Chicago area with well-respected and very talented members of the hardcore and post-hardcore scene. 
This really bad review comes up for them when you search their name. It's kind of funny, don't know what you expect from bands like this though. They're all kind of cringey/bad in the same object of an era way.

I think this is their only official release. There might be a few more songs floating around, don't have those though.

EP

Belief in Promises



I don't have much for this other than they're from Aspen Hill, MD and active early/mid 2000's. Fairly generic metal influenced stuff. My searching on them seems to bring up some other really obscure bands that members of this band have been in. Not sure on what they've released, so here's some sort of collection.

Various

Sunday, August 21, 2016

Bright Lights Always Turn Off


From Duluth, MN, active mid/late 2000's. It's definitely pretty mid 00's skram sounding. I do know that they are from the same place as Bear Garden, and they sound actually somewhat similar as well. No info other than that. I've been looking for more tracks by them, to no luck really. Here's just some that I ripped off their myspace.

Demo

 Update: heard from the vocalist and he answered some questions about the band

 

BLATO interview:

Does this "discography" on my blog have all that you've released?

No, unfortunately not. We wrote one song after the first two songs of the demo. I can’t remember the name of it but it had a heavier breakdown and was my favorite song we wrote but unfortunately never got recorded. Having an ” open chugged” (our guitarist Odin could probably explain it better) was a little different from how we thought about screamo in 2006. Being that we thought of breakdowns as being for hardcore and metalcore bands, not screamo (skramz started being used around 2007-8).

Did you, or any of the other band members play in any other bands after/before?

 I know Steve-o (this was peak Jackass days and Steve could actually skate really well) played in a short-lived hardcore band that was trying to do like a Terror-Hatebreed thing called All I Have.

I did vocals for a couple of different bands: an old school hardcore punk band (that was a drunken wreck) called Bad Cop Bad Cop. Tthen after moving to Minneapolis I briefly did vocals for the band Cowards, which featured members of Bear Garden and Corrosive Melody on guitar, bass, and drums.

I also did vocals for a brief project called Cannons (weirdly similar to Cowards name-wise but totally different groups of people). Which was members of Minneapolis tough-guy hardcore band Earn Your Stripes. We did like Converge-Cursed sounding kinda dark hardcore band.

As well as some guest vocals for Duluth metalcore band Count Backwards from Ten; I was more into traditional hardcore then, so I tried replicating the first vocalist of Comeback Kid style as well as the vocalist for the band first After the Burial’s first album

I don’t know if any of the guys are doing any active creative projects nowadays. I myself have some non-music things I’ve done, some writing I’ve had published in the magazine Apocalypse Confidential as well as some podcast appearances on Programmed to Chill I’ll include some links from my substack:

https://open.substack.com/pub/trashe5e/p/apocalypse-confidential?r=j3388&utm_campaign=post&utm_medium=web

https://open.substack.com/pub/trashe5e/p/podcast-appearances?r=j3388&utm_campaign=post&utm_medium=web

Do you have any thoughts or words on the scene that you were part of (where were you from)?

We were a total anomaly, a product of the first generation to have access to highspeed internet. Being in Duluth, Minnesota (and the rest of the Iron Range as well as Grand Rapids, MN (where A Corrosive Melody were from)) we had no legacy of diy punk and hardcore. No real older scene bands to help induct us, like they have on either coast or even the bigger Midwest cities like Milwaukee and Chicago. The closest thing we had to counter-culture music was the slo-core band Low (who I loved as a teenager as well as now, but obviously weren’t playing hardcore).

Honestly I learned about diy, screamo, and hardcore through going online and getting dunked-on on messageboards, as well as the year or two older guys who played in Bear Garden. So, being a precocious kid whose parents had a rule that I always be reading a book outside of the book that my Catholic elementary school had me reading (which was like a stipulation of the curriculum), I got really into researching these scenes that made music I loved instantly.

The second I heard Circle Takes the Square’s album As the Roots Undo and Neil Perry’s Lineage Situation I was obsessed. I thought this was the most interesting and emotionally compelling music I had ever heard.

Did you play any shows with interesting/noteworthy bands?

BLATO only played two real shows: some random show in middle of nowhere N. Wisconsin with some As I Lay Dying-type bands and then Bear Garden’s 2006 ep release show at Rice Lake Town Hall (which is a legendary show for Duluth millennials in the know).

Bear Garden was the biggest band lol. We were a brief flicker of a band. Odin’s guitar playing was really phenomenal and he was the lynchpin: locking in with Steve and Garrett (our bassist) and really orchestrating the band.

Except for my vocal parts which he pretty much just left for me to figure out. For that, and to anyone trying to be a screamo or hardcore vocalist, it was all about locking in with Steve’s drumming. Granted I paid attention to what Odin was doing, as I’m a guitarist myself, but the most important part, in my eyes, is for the vocalist to follow the beat (being a big fan of rap helps).  

admittedly I overshot with the last song “I touched a shark” with the chant-gang vocal part, but also I was 16 and just really wanted to have a cool gang-vocal, chant part. I’d probably cut that these days (or spend more time getting the timing right).

Also, when were you active from, and where exactly?

Pretty much just the one year 2006. To be honest I had not the best childhood and dealt with a lot of legal problems during that time. I was put on probation shortly after we recorded the demo and spent a lot of time in juvenile treatment centers as a teenager. So it was hard to keep a band going when my parents didn’t support it and I had a probation officer breathing down my back.

I was really passionate about it but my parents didn’t really care or support me. They didn’t really like me lol.

Any final thoughts to put on the post for my blog?

 Just that this is crazy that people are into this and found it independent of any of us who were actually involved. I moved away from Duluth two years later in 2008; becoming a bike messenger in Minneapolis and then Chicago, becoming an upper-tier owner of Cut Cats Courier. I really didn’t fit in with the Minneapolis punk scene as I was a working class kid from “Up North”; I fit in much better with the messenger scene of people who were based more around work, seeing as I didn’t come from money and didn’t have a trustfund.

But I always wished I had the freetime and ability to start a hardore band, of whatever stripe. I love it all: Circle Takes the Square and Jeromes Dream on down to Hatebreed and Terror as well as Spazz and From Ashes Rise…all of it, hardcore fucking rules and it is my bread and butter.

And honestly it's a big part of why I’m still alive.

Friday, July 29, 2016

Welcome Home




From NJ, active late 2000's. This is the band that came after Remember Van Gogh. It's pretty decent maybe a bit on the post-hardcore side of things. Sounds quite similar to Remember Van Gogh; reminds me kind of Daniel Striped Tiger or something. I'm not entirely sure what all they've released, I think this is it though. I also don't think they have any connection to this other band called Welcome Home that is active right now.

Overcast EP